Interpretation = establishing the broader context for this type of art.

 

ü It answers the question, "Why did the artist create it and what does it mean?”

 

ü The various elements that constitute interpretation include:

 

a.        The main idea, or overall “meaning” of the work

 

b.        Interpretive Statement: Can I express what “I think” the artwork is about in one sentence?

 

c.      Evidence:  What evidence inside or outside the artwork supports my interpretation?

 

 

 

 

 

 

 

 

 

 

 

 

 

4.  Judgment:  Judging a piece of work means giving it rank in relation to other works and of course considering a very important aspect of the visual arts; its originality.

 

· Is it a good artwork?

· Criteria: What criteria do I think are most appropriate for judging the artwork?

· Evidence: What evidence inside or outside the artwork relates to each criterion?

· Judgment: Based on the criteria and evidence, what is my judgment about the quality of the artwork?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Barrett's Principles of Interpretation

 

1. Artworks have "aboutness" and demand interpretation.

2. Interpretations are persuasive arguments.

3. Some interpretations are better than others.

4. Good interpretations of art tell more about the artwork than they tell about the critic.

5. Feelings are guides to interpretations.

6. There can be different, competing, and contradictory interpretations of the same artwork.

7. Interpretations are often based on a worldview.

8. Interpretations are not so much absolutely right, but more or less reasonable, convincing, enlightening, and informative.

9. Interpretations can be judged by coherence, correspondence, and inclusiveness.

10. An artwork is not necessarily about what the artist wanted it to be about.

11. A critic ought not to be the spokesperson for the artist.

12. Interpretations ought to present the work in its best rather than its weakest light.

13. The objects of interpretation are artworks, not artists.

14. All art is in part about the world in which it emerged.

15. All art is in part about other art.

16. No single interpretation is exhaustive of the meaning of an artwork.

17. The meanings of an artwork may be different from its significance to the viewer. Interpretation is ultimately a communal endeavor, and the community is ultimately self- corrective.

18. Good interpretations invite us to see for ourselves and to continue on our own.

Barrett, Terry. (1994) Criticizing Art: Understanding the Contemporary. Mountain View, California: Mayfield Publishing Company.